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Daeron Targaryen

Fire & Blood

Daeron Targaryen is the youngest son of King Viserys and Queen Alicent Hightower, a prince whose courtesy and gentleness set him apart from his brothers but could not keep him outside the Dance of the Dragons. Sent to Oldtown as a boy, he returned to the war as the rider of Tessarion and helped turn a major battle. His later career brings a sharp reversal: after being celebrated for courage, he is caught amid a divided army, an attempted succession, and the collapse of the cause he serves. Even his death remains disputed, preserved in three incompatible accounts rather than a single settled version.

Identity and Early Life

Daeron was born after Princess Rhaenyra’s child Jacaerys. As the court celebrated the birth, Alicent went into labor and gave King Viserys a third son. The two infants were assigned the same wet nurse and raised as milk brothers, an arrangement the king reportedly hoped would prevent hostility between them. It did not overcome the rivalry that developed between the princes’ families.

Daeron grew up among three brothers—Aegon, Aemond, and himself—and the Velaryon boys, Jacaerys, Lucerys, and Joffrey. The children attended the same feasts and balls, sometimes trained together under one master-at-arms, and studied under the same maesters. Yet the book presents their forced proximity as intensifying rather than softening their mutual suspicion. Alicent and Rhaenyra’s enmity had passed into the next generation: the queen’s sons resented their nephews as rivals for what they considered their birthright, the Iron Throne.

At six, Daeron was the youngest of the boys. Unlike his elder brother Aegon and sister Helaena, he had not yet ridden his dragon, Tessarion, though he already possessed one. The prospect of a visit to Dragonstone offered Aemond, who then had no dragon, a chance to choose among eggs and hatchlings beneath the Dragonmont. The contrast places Daeron early in a family defined by dragons and inheritance: he already had a mount, but was still a child waiting to take his place among the riders.

Oldtown and the Making of a Rider

Daeron’s reputation within Alicent’s family was notably different from Aemond’s. Aemond became a dangerous swordsman under Criston Cole’s instruction, but was described as hot-tempered and unforgiving. Daeron, by contrast, was the queen’s most popular son: clever, courteous, and comely. When he turned twelve, he was sent to Oldtown to serve as cupbearer and squire to Lord Hightower. At the opening of the war, he remained there as Lord Ormund’s squire, away from the immediate struggle for King’s Landing.

By fifteen, Daeron rode Tessarion, known as the Blue Queen. The dragon’s cobalt wings and copper-bright claws, crest, and belly made her distinct among the fighting dragons. Their arrival at the Battle of the Honeywine reversed the course of the fighting: Ormund Hightower’s men, who had been on the defensive, began driving their opponents back. The battle left Lord Rowan retreating with the remnants of his force, while important members of the opposing side were captured or killed.

Ormund celebrated the victory with a feast and knighted Daeron with Vigilance, the storied Valyrian longsword, naming him Daeron the Daring. Daeron declined to claim the victory for himself, crediting Tessarion instead. The moment fixes the two parts of his emerging public identity together: he had taken a decisive role in battle, yet answered acclaim with modesty rather than self-assertion.

Campaign and Command

Daeron continued to serve as an important part of Ormund’s advance toward King’s Landing. Flying ahead of the main host, he used Tessarion to scout and warn Ormund of enemy movements. The queen’s forces sometimes withdrew at the sight of the Blue Queen’s wings. The southern army grew to more than twenty thousand as it crossed the Mander and moved upriver, and Daeron’s reconnaissance helped make the dragon useful beyond the direct force of battle.

Ormund’s death changed Daeron’s position. The host was left without its experienced commander; Ormund’s own sons were far away at the Hightower and still young. Although Ormund had praised Daeron’s courage, the prince himself was still a boy, accustomed more to carrying out commands than giving them. Ser Hobert Hightower, the most senior Hightower remaining with the army, had previously been entrusted with the baggage train. The contrast between Daeron’s battlefield distinction and his limited experience of command became central to the crisis that followed.

The army’s disorder was not merely a matter of military leadership. Daeron was reported to have been sickened by what was happening and directed Hobert to stop it, but Hobert proved unable to restrain the conduct of the host’s leaders. Jon Roxton pursued Lady Sharis Footly as a supposed prize of war; Lord Peake and Lord Bourney later fought at a war council, which ended with Bourney’s death. These episodes expose the gap between Daeron’s wish to halt the abuses and his actual authority over men whose appetites and rivalries were pulling the army apart.

The commanders also disagreed over whether to attack King’s Landing. Lord Peake wanted to wait for Lord Baratheon and his forces from Storm’s End; Hobert favored withdrawing to the Reach to restore dwindling supplies. Neither course stopped the army’s decline. Men deserted for home and harvest, taking plunder with them, while the remaining leaders failed to unite around Daeron’s campaign. His position was made more precarious by the Two Betrayers, Hugh Hammer and Ulf White, whose dragons and forces gave them power independent of the prince.

Succession Crisis and Death

News of Aemond’s death at Harrenhal deepened the crisis at Tumbleton. Aegon II had disappeared after Rhaenyra took King’s Landing, and some feared that the queen had secretly killed him. With Aegon and Aemond both absent, Daeron stood next in the line of succession. Lord Peake proposed proclaiming him Prince of Dragonstone; others, believing Aegon dead, wanted Daeron crowned king. The argument put his royal claim at the center of the army’s divisions, even as its leaders remained unable to agree on a military course.

The Two Betrayers advanced Hugh Hammer’s claim to the throne. Daeron angrily threw wine in Hugh’s face, while Hugh dismissed the act and threatened him. The dispute revealed that Daeron’s birth and royal standing did not guarantee obedience from the men who had become powerful through the war. Hugh and Ulf then departed together to plan Hugh’s coronation, and Hugh appeared the next day wearing a crown of black iron, to Daeron’s fury and that of the trueborn lords and knights.

A group of conspirators known as the Caltrops would not proceed without Daeron’s approval. Owen Fossoway went by night to bring the prince to their meeting, where Lord Unwin Peake presented warrants for the execution of Hugh and Ulf. Daeron readily affixed his seal. The episode marks a grim change from the gentle and courteous youth of earlier accounts: amid a war that had made allegiance unstable and command uncertain, he endorsed a lethal political remedy against the rival claimants. The evidence establishes his consent to the warrants, but does not resolve what effect the plan would have had before Daeron himself died.

Three accounts survive of his death. In the best-known version, Daeron left his pavilion after it caught fire and was killed by the sellsword Black Trombo. A second account likewise places him outside the burning pavilion but attributes his death to an unidentified man-at-arms. In the third, he never escaped the pavilion, which collapsed while burning; this is the account preferred by Munkun’s True Telling and by the book’s narrator. The variation does not settle the event but makes the uncertainty part of Daeron’s historical legacy: the celebrated young prince disappears into the confusion of Tumbleton, and even the manner of his death cannot be reliably recovered.

Narrative Significance

Daeron’s trajectory is built around contrasts that the war repeatedly makes unstable. He is the youngest and gentlest of Alicent’s sons, but becomes a rider whose arrival turns a battle; he is praised as daring, yet remains inexperienced when forced toward command; and he shows concern at the army’s conduct, but later approves warrants for his rivals’ execution. These changes are not presented as a smooth transformation into a settled leader. Instead, his growing authority is tested in a military and political environment where age, lineage, and acclaim cannot secure control.

Tessarion also shapes the record of Daeron’s rise. At the Honeywine, the prince assigns the victory to his dragon, while in the campaign that follows he uses her as a scout whose presence can drive enemy forces away. At Tumbleton, Tessarion and Seasmoke meet in a prolonged aerial contest, their speed and maneuvers drawing hundreds of watchers to the roofs. The dragon’s actions become inseparable from the public image of Daeron, but the surviving account of his end is not heroic certainty: it is a set of rival reports from a battle whose disorder overwhelms any single version of events.